And coincidentally in all cases, Bollywood is inclined to show the minority being wronged by law.
From Arbaaz Khan in Garv as the victim to Suniel Shetty in Main Hoon Na as the victimizer and a plethora of prototypes in between, we have been there and seen that enough number of times. But then haven't we been witnessing that for over a decade now ever since Mukesh Rishi convincingly raised the issue in Sarfarosh for the first time. Undoubtedly Samar Khan's intentions are decent and dignified enough on highlighting the plight of the minority community in our society. The audacity to represent a social theme and yet present it entertainingly! But director Samar Khan confounds entertainment with an item number here and a couple of deftly executed scenes there. The courage to choose an innovative context as the core and crux of the film! But a few intellectual filmmakers still believe that the issue of 'victimized Muslims', over-exploited in Bollywood by now, is fresh to films as yet.
The nerve to make an original film in an industry where every third film is derived! But a few good men from Bollywood still confuse it to adapting English films to an Indian context.
